Article by Amarjeetkumar76
Happy Happy Ga’. Varun Sandesh is on a talkathon`right from the word go. If you wish for a break from his tiring smiles and monologues, you are treated to a endless nonsense from Ali..to put it in short it’s like jumping from frying pan into the fire. The hero Santosh leads a team called the Cartoon Guys who are into a business of making people Happy but sadly the story is such that it would make the most gregarious of cartoons sad. Santosh has a habit of flirting but when he seriously falls for Pooja, he’s in for a shock. She prefers to be just friends. The lady who’s returned from the US has nothing better to do so, she takes up the onus of finding the dream woman in Santosh’s life. Santosh points out at a lady and says that she’s the person he’s in love with and there moves the story.
Pooja carries all his love letters to Priya, the stranger and she has fallen in love with him almost immediately. The rest of the film is how Pooja plays a glorified broker’s job and in the process begins to feel love for the hero. The hero is in a role conflict, to reveal all. Another angle to this love story is the Priya’s brother is a baddie and he wants to see his sister happy so compels the hero to love her (sic) as she will soon die (she suffers from an ailment). Now to know if Priya dies or not, if she gets Santosh or Pooja does..one has to sit through the second part of the film.
The director Priya Saran has handled the film in an absolutely juvenile manner. Shabby cinematography, the plot and treatment gives it a third grade look. Varun Sandesh’s non stop prattle is not amusing especially when he pronounces Taj Mahal as Taj Mahaal. The entire film has him smile constantly and when the situation demands that he needs to look sad, in the last scene, he fails to deliver the right expression making a mockery of the entire story. Is Vega blinded by too much light or is she opening or closing her eyes is something that needs to be unraveled. Saranya Mohan does a convincing job. About Rajitha, MS Naryana..the less said the better. An excruciating experience this!
Happy, Happy is another gust of smugly cold air from the land of Bent Hamer. In what may be Norwary’s snowiest , a privileged, seemingly perfect couple, Elisabeth (Maibritt Saerens) and Sigve (Henrik Rafaelsen), move next door to a frustrated schoolteacher, Kaia (Agnes Kittelsen), and her possibly queer husband, Eirik (Joachim Rafaelsen). Cartoonish hilarity subsequently ensues, much of it revolving around–as the film’s press notes obligingly itemize–“infidelity, moose meat, white and coal-black lies, blowjobs and cottage cheese.” At the very least, this mediocre trifle fills the void left behind by Sarah Palin’s Alaska. Watch Happy, Happy Movie Online
The film’s title, not surprisingly, is ironic, and its faux provocations are plenty, among them a picture-guessing game that ends awkwardly after Eirik tries to get Kaia to deduce “AIDS” by sketching two presumably male stick figures x’ed out beneath a tableau of 9/11-ravaged Manhattan and above an indecipherable mass he intends as Africa. Eirik’s logic is pathetically hilarious, though it becomes sad in retrospect when you consider his disinterest in sleeping with Kaia has nothing to do with the yeast infection she adamantly tells Sigve–prior to giving her neighbor an unsolicited blowjob–she only had for a week close to a year ago. Not that director Anne Sewitsky is exactly soliciting our sympathy.
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With an epic-length game of “slave” between Kaia and Eirik’s son, Theodor (Oskar Hernæs Brandsø), and Elisabeth and Sigve’s adopted Ethiopian son, Noa (Ram Shihab Ebedy), the stage seems set for a critique of a nation’s miseducation of its youth on matters of race that, well, never materializes. She does, though, give us the satisfaction of putting Theodor in his place, even if the boy’s embarrassment betrays the story’s logic: When the haughty Elisabeth shoves Theodor’s face into a bowl of what may be–God forbid–cottage cheese, her antagonism doesn’t make sense, as she, like the other three in the film, don’t seem privy to the kid’s offensive child’s play.
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